Winner of 2 Best Score awards at Las Po Film Fest, Jake K. Siders was raised by a family of physicists in Livermore, CA and trained at Berklee College of Music in the Screen Scoring Department. He is a synth programmer, musical sound designer, and composer specializing in electronic scores for horror and sci-fi films. Fascinated by fear of the unknown, Jake is particularly interested in work in the Lovecraftian/cosmic horror genre. Through synthesis and musical sound design, he creates compelling new soundscapes that your audience won’t have heard before.

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As a synth programmer and musical sound designer, Jake creates custom-made score sound design assets for media composers (such as audio files, loops, and Kontakt patches) using modular synthesizers, manipulated field recordings, experimental impulse responses, and more.

 

As a composer, Jake has worked with filmmakers to create highly atmospheric original scores for their films that have screened at genre festivals across the country.

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Jake’s filmic influences include the films of Moorhead & Benson, David Prior’s The Empty Man, Mike Flanagan’s work, Kubrick’s The Shining, Ridley Scott’s Blade Runner, and Joseph Kosinski's Tron: Legacy